Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Paris Bordone 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
51188		Allegory with Lovers	1550 Oil on canvas, 111,5 x 174,5 cm
90453		Athena Scorning the Advances of Hephaestus	Oil on canvas (61.78) (Kress Study Collection, K 1112) Date ca. 1555-1560 cyf
43059		Daphnis and Chloe	mk170 1538-1540 Oil on canvas 135.9x120.6cm
87007		Madonna and Child with Saints	1535(1535) Medium Oil on poplar cyf
91876		Madonna with Sleeping Child	1540 - 1560 Medium oil on canvas Dimensions 69.5 X 83.5 cm (27.4 X 32.9 in) cjr
43048		Portrait of a Young Woman	mk170 Oil on canvas 106.7x85.7cm
122		Presentation of the Ring to the Doges of Venice	1534 Galleria dell'Accademia, Venice
32571		Recreation by our Gallery	mk79 1545
83383		The Annunciation	1555(1555) Medium Oil on canvas Dimensions Height: 99 cm (39 in). Width: 134 cm (52.8 in). cyf
40355		The Fisheman Presenting the Ring to the Doge Gradenigo	mk156 1534 Oil on canvas 370x300cm
41180		Two Lovers	mk157 c.1525-30 Oil on canvas 95x80cm

Paris Bordone

Italian 1500-1571 Italian painter and draughtsman. He is best known for his strikingly beautiful depictions of women, both in portraits and in cabinet paintings. He also excelled in rendering monumental architectural settings for narrative, both religious and secular, possibly initiating a genre that would find great currency during the mid-16th century, especially in Venice, France and the Netherlands. His favoured media were oil and fresco, the latter being used on both interiors and faades. Although he was not generally sought after by Venetian patrons during his career, as his art was eclipsed by that of Titian, Paolo Veronese and Jacopo Tintoretto, Bordone was regarded in the mid-16th century as an accomplished artist (Pino; Sansovino). He worked for the moneyed lite of northern Italy and Bavaria, for the royalty of France and Poland, and had works commissioned to be sent to Spain and to Flanders. Despite knowledge of the important patrons for whom he worked, the chronology of Bordones oeuvre is by no means clear. Dating on stylistic grounds is confounded by the diverse sources on which he drew, ranging from the Emilian, Lombard and Venetian to the French and northern European, depending on the patron. Due to the ease with which prints circulated during Bordones career, it is difficult to ascertain whether influences were derived at first hand or from printed images. Such difficulties in assigning dates are further exacerbated by his use of the same figure study for numerous paintings evidently executed decades apart. Reliance on the testimony of Vasari, who interviewed Bordone in 1566, in conjunction with the extant documents, the few signed and dated paintings and, to a lesser extent, period fashion provides only a rough outline of his activity. Due to the lack of agreement among scholars regarding chronology, the following account is based mainly on the documentary evidence.

All the Alma Tadema's Oil Paintings

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